Monday, September 12, 2005
Mailbag: September 12, 2005
The MFA Blog Mailbag appears every Monday of the MFA season: from late August to mid-March. If you have a question or comment for the mailbag, please send it to our email address.
The "Unreliable Narrator" doesn't list his/her real name or place of residence, so we'll assume he/she is part of the witness protection program. We won't blow your cover UN, and we like the code name. Unreliable applied to Brown, Iowa, and Columbia last year, and, I think I understood this correctly, got into Columbia. The questions posed are 1. Should Unreliable reapply to Brown, where the funding is excellent, 2. Should if he/she apply to other places, and/or 3. Should he/she petition the professors at Columbia about funding.
Let's take them in reverse order. First of all, Columbia funds only a very small handful of their students. Meanwhile, the tuition for the 70 students admitted each year is $33,000 a year. Plus the expenses of living in New York City. That adds up to over 100K for two years. While Columbia has graduated many, many outstanding writers over the years, this doesn't seem to me to be a smart monetary investment. There are many schools of equal quality that offer much better funding. Overall, it's my advice to steer away from Columbia and other MFA programs that charge such high tuition.
I don't think that petitioning professors is going to be much help. Certainly, the program director will decide which of the handful of students receive funding, but the number is so small that I don't like your (or anyone's) chances.
Yes, I would recommend that you apply to many more schools. Three doesn't sound like enough to me. Eight is more like it. Spread your net wide and keep your options open. By all means, keep Brown on your list. They have an excellent reputation and the funding is outstanding. Do keep in mind that Brown is known for encouraging "experimental" writing. I don't know what that is specifically, but if you don't feel like your writing fits this broad category, then that might be a wasted application.
Some additional programs in the geographical locations of your previous three schools: Michigan, Indiana, Syracuse, NYU, Massachusetts, and Minnesota. Best of luck you you, Unreliable Narrator.
Next up is a returnee to the mailbag, Ryan, who is not a fan of the Bush Administration, and who is considering moving overseas. He's wondering about resources for finding international creative writing programs. Ryan, I do list these in the book. There are about 40 of them that I could find. Until the book is released in December, your best resource is a website from International GradSchools.com. It's at http://www.gradschools.com/listings/out/creative_write_out.html
Chris is a fan of all three of our sites, including The Daily Pick, where he saved about $100 through our link about free software, and he also likes The Winged Girl, which is a weblog of my novel in progress. Thanks for the kind words, Chris.
As an undergraduate thinking about MFA programs, Chris wonders if it's best to have a writing project (novel, story collection, poetry collection etc.) in mind before he attends a graduate program, or if it's okay to go in to simply learn and discover the project as he moves along. I guess my answer is yes to both. You definitely want to have a goal of finishing, or in most cases near-to-finishing a book by the time you graduate from a master's program. I think that most graduates finish their book in the year or two after their program, but the 2-3 years inside the program create the foundation and much of the walls and rooftops of the book. In my case, I definitely didn't use any of my pre-MFA stories in my story collection. All of them were written either during the program or in the year afterwards. I didn't have any idea of what my story collection would look like before I entered the program.
Hold on, scratch that. I did have an idea about the book, but that idea changed dramatically as I read many new books, learned from different teachers, and went through both the official and unofficial workshop processes. So, I think it's just fine to not have a project in mind. However, I think you should have a goal of finishing or near-to-finishing a book by the time the program ends, and you should have some idea about the book by the end of the first year. And by the way, I'm a big fan of three year programs. I got, by far, the bulk of my story collection written in my third year at the University of Massachusetts, once I'd gone through the rigors of workshop, listened to what people (peers and teachers) had to say, and then had some time to let those voices subside a bit. The third year was very critical for me.
One final note, Chris: I've said this before on the blog: I think it's a very good idea to have some time between graduating undergraduate and attending an MFA program. It saves you from burning out in the academic world, and it allows you some life experience from which to write. Two years is enough, though more is fine too. The average age of an MFA student is around twenty-eight years old.
Thanks for the questions. I'll have a feature up later this week, and more from the mailbag next Monday.